Curso Storia del Tango (4 horas) - Roma - 6 Dicembre 2009
Docente: Lidia Ferrari
Conferencia con fotos y videos ilustrativos
La mia relazione prenderà in considerazione più di cento anni di storia del tango nelle sue quattro dimensioni espressive: la musica, la parola, il ballo e la canzone. Presenterò la geografia culturale, sociale e politica della città che gli diede le origini: Buenos Aires.
Il tango si sviluppa a partire dalla fine del 19esimo secolo in una città in cui gli scambi subiscono un'accelerazione sulla spinta di una massiccia immigrazione europea, che la trasforma in una città cosmopolita, ricca di manifestazioni culturali.
In quel mondo popolato da gente che parla le lingue più diverse e che si incontra tanto nei prostiboli quanto nei patio dei 'conventillos' o lungo i marciapiedi delle strade avviene la gestazione di un 'modo di ballare' profondamente originale accompagnato dalla musica allora disponibile: milonga, tango andaluso, mazurka, candombe. L'eterogeneità degli ambienti e dei personaggi della città si ritrovano nel tango: i prostiboli, i caffè, club, accademie – luoghi in cui balleranno gli aristocratici, i 'compadritos', i bulli, i 'milonguita'.
Del Tango si analizzeranno sia i cambiamenti prodotti nel suo andare e venire per il mondo sia gli aspetti rilevanti dell'evoluzione e trasformazione delle sue forme espressive. Nella musica si percorreranno gli anni che vanno dai 'trio' primitivi, passando per l'innovazione 'decariana', alle grandi orchestre degli anni '40, Astor Piazzolla, e la rinascita dei tempi più recenti. L'itinerario delle parole del tango: dai testi delle origini e dei prostibili, passando per Angel Villoldo, Pascual Contursi e il tango canzone; Celedonio Flores. I poeti del tango: Discépolo y Manzi. Horacio Ferrer y Eladia Blazquez. Il riflesso della commedia e tragedia del 'porteño' nelle parole del tango. Nel ballo ci concentreremo nell'analisi tanto della diversità dei luoghi dove si ballò e si balla quanto delle tappe della sua evoluzione coreografica, riflettendo il diverso protagonismo dei ballerini e ballerine. La canzone: faremo delle incursioni nei modi dell'interpretazione della canzone 'porteña': da Villoldo, passando per Gardel, alle cantanti fino ad oggi. La prospettiva di questo intervento permetterà di delineare gli aspetti storiografici e mitici che danno forma al modo in cui percepiamo il tango.
Este curso será dictado en el marco del Corsi per Bailarin e Instructor de Tango Argentino que organiza la Academia Nazionale Italiana Tango Argentino.
Para más información: www.anitatango.it
16.4.09
TANGO VIDEO – VIDEOS DE TANGO -
TANGO VIDEO – VIDEOS DE TANGO
LIDIA FERRARI & GUIDO SCHIABEL - 2009
https://www.youtube.com/watch?v=F48dRlSa_gQ
OPERA MARIA DE
BUENOS AIRES – Teatro Astra, Vicenza, Italia – 2009 - Tango Operita de A.
Piazzolla-Ferrer. Director: M. Tezza Maria: Victoria Lyamina - El Gorrion: Ruben
Peloni – Tango Dancers: Lidia Ferrari y Guido Schiabel- Teatro Astra, Vicenza,
Italia - 19/12/09
LIDIA FERRARI
& JORGE FIRPO
Treviso – 2013
https://www.youtube.com/watch?v=qun8FoyrjE8
.jpg)
28.4.07
Propuesta General de Trabajo de Lidia Ferrari
PROPUESTA GENERAL DE TRABAJO de Lidia Ferrari
Dos aclaraciones importantes para los stages:
1. Las clases focalizan sobre algún tema específico pero se trabaja sobre toda la estructura del baile, contemporáneamente. Esto significa que las clases pueden ser productivas para todos los niveles.
2. En niveles básicos (principiantes e intermedios) se trabaja la estructura del baile del tango como tal, que sirve para el desarrollo en cualquier estilo (milonguero, nuevo, de salón, fantasía, etc).
3. El tango es un baile de dos. Se trabajará todo el tiempo la dinámica de los movimientos en pareja.
Los stages tendrán un nivel creciente de complejidad.
Método pedagógico:
a. Se observan las dificultades de los participantes para trabajar sobre ellas.
b. Se incluyen ejercicios para adaptar el cuerpo a los diferentes movimientos, posiciones y figuras y comprender la dinámica de los movimientos en la pareja.
Temas:
Los temas derivan de los aspectos esenciales para poder bailar bien el tango. Estos aspectos fundamentales son:
- La dinámica de los movimientos en pareja. Conducción y Seguimiento.- La postura, equilibrio y el abrazo de la pareja.
- La disociación, proyección y resistencia. Eje y equilibrio. Balance de los ejes en distintos estilos.
- La interpretación de la música. Las diferentes orquestas.
- La transmisión de la propia sensibilidad en el baile.
Para más detalles ver:
http://www.buenosairestango.com/Ense2005/default.htm
Dos aclaraciones importantes para los stages:
1. Las clases focalizan sobre algún tema específico pero se trabaja sobre toda la estructura del baile, contemporáneamente. Esto significa que las clases pueden ser productivas para todos los niveles.
2. En niveles básicos (principiantes e intermedios) se trabaja la estructura del baile del tango como tal, que sirve para el desarrollo en cualquier estilo (milonguero, nuevo, de salón, fantasía, etc).
3. El tango es un baile de dos. Se trabajará todo el tiempo la dinámica de los movimientos en pareja.
Los stages tendrán un nivel creciente de complejidad.
Método pedagógico:
a. Se observan las dificultades de los participantes para trabajar sobre ellas.
b. Se incluyen ejercicios para adaptar el cuerpo a los diferentes movimientos, posiciones y figuras y comprender la dinámica de los movimientos en la pareja.
Temas:
Los temas derivan de los aspectos esenciales para poder bailar bien el tango. Estos aspectos fundamentales son:
- La dinámica de los movimientos en pareja. Conducción y Seguimiento.- La postura, equilibrio y el abrazo de la pareja.
- La disociación, proyección y resistencia. Eje y equilibrio. Balance de los ejes en distintos estilos.
- La interpretación de la música. Las diferentes orquestas.
- La transmisión de la propia sensibilidad en el baile.
Para más detalles ver:
http://www.buenosairestango.com/Ense2005/default.htm
8.4.07
Fotos Stages en Italia
Ferrara, Enero 2008
Invito Rita y Tangote
www.tangote.it
Ostellato, Ferrara, Junio 2007.
Invito Mirella y Luciano. www.piccantango.com
Ferrara. Junio 2007.
Invito Rita y TangoTe. www.tangote.it
Malcontenta, Mestre. Julio 2007.
Invito Giussepe y Fatti di Tango. www.fattiditango.com
Fotos con alumnos de Torino, Ferrara y Alba - Años 2006 y 2007
Alumnos de Torino, Giorgio y Monica
Clases en Ferrara, en TangoTe. www.tangote.it
Alumnos de la Asociación Alba Tango, de Alba, Piemonte
14.1.07
Curriculum Vitae de Lidia Ferrari (Tango)
Lidia Ferrari è maestra di Tango, psicoanalista e scrittrice argentina.
Dal 2008 risiede a Treviso dove insegna Tango Argentino.
ESPERIENZA CON IL TANGO:
Balla il tango dal 1989 e si dedica a ballare e a coltivare questa passione e a indagare la storia del tango. Si è formata con grandi maestri argentini quali Celia Blanco, Gustavo Naveira, Jorge Firpo, Omar Vega, Pepito Avellaneda, Mingo Pugliese, Teté e altri. Lidia Ferrari è maestra di Tango dal 1993 e il suo Studio ha formato centinaia di allievi provenienti da tutto il mondo. Come maestra di Tango ha insegnato e insegna in Argentina, Uruguay, Francia, Italia, Spagna e Stati Uniti e si è esibita tanto in Argentina quanto all’estero. Lidia Ferrari ha scritto diversi articoli sul Tango pubblicati in riviste nazionali e straniere, alcuni dei quali si possono leggere nel seguente sito: www.buenosairestango.com.
2001: Invitata come professore per il Dipartimento di Arti e Cultura del Mondo (Departament of World Arts and Cultures - UCLA), presso l´Università di California, Los Angeles, USA, per insegnare a ballare il tango e per relazionare sulla storia del tango. Invitata come ballerina pero contribuire a la realizzazione della coreografia de la Opera Tango Thriller “Angora Matta”, de Marta Savigliano.
2008: Diciembre: Coreografa e Ballerina con Guido Schiabel en la Opera Maria de Buenos Aires, de A. Piazzolla y H. Ferrer. Direttore Marco Tezza. 18/12: Teatro Lorenzo Da Ponte, Vittorio Veneto. 19/12: Teatro Astra de Vicenza.
Come ballerina e ricercatrice di storia e evoluzione del Tango ha realizzato le seguenti attività:
Nel 1996 Direttrice dell’Area Culturale della Prima Expo-Fiera della musica Cittadina, Tango Mundo, realizzata a Buenos Aires. Co-direttrice e organizzatrice degli Incontri di Tango nella sopracitata Expo-Fiera. Incaricata dell’organizzazione delle 19 tavole rotonde di questi Incontri, con la partecipazione dei maggiori specialisti del tango del paese: "Las mujeres y el tango". Co-ordinatrice delle tavole rotonde “El tango y los medios de comunicación", "Los jóvenes y el tango", "Las letras y los letristas de tango", "Historia del tango", "Diferentes enfoques para los estudios del tango" y "El tango en el mundo".
1996: Invitata Ufficiale alla III Cumbre Mondiale del Tango tenuta a Montevideo, Uruguay, dal 4 al 17 novembre. Invitata alla tavola rotonda "Las diferentes imágenes de mujer a través de las letras de tango".
1998: Organizzatrice del Ciclo Buenos Aires Tango nel Centro Culturale del Borde, dipendente dalla Municipalità della città di Buenos Aires. Conferenza: "El lugar de la mujer en el tango: en las letras y en el baile".
2000: Spettacolo organizzato per il Governo della Città di Buenos Aires “La milonga de los Barrios”.
1999-2000: Invitata presso la Cattedra di Tradizione e Cultura Argentina, Universita di Belgrano, Argentina. Esibizione e spiegazione teorica sui diversi stili del tango e dissertazione sulla storia del tango.
2000: Ricercatrice e autrice nel progetto “Los Origenes del Tango” di Ars Media SnC, Torino, Italia. Produzione di un CD-Rom multimediale dedicato alla nascita di questo genere musicale dal 1870 al 1930.
2002: Invitata per il Hospital Ameghino, Ciudad de Buenos Aires. Esibizione e spiegazione teorica sui diversi stili del tango e dissertazione sulla storia del tango.
2003-2004: Invitata pero il Hospital Esteves, Temperley, Buenos Aires. Esibizione e spiegazione teorica sui diversi stili del tango e dissertazione sulla storia del tango.
2008: Docente del Corso di Storia del Tango, a Roma, in la Accademia Nazionale Italiana di Tango Argentino.
2008: Maestra del Stage “Musicalità e tecnica femminile”, in 2° Festival Internazionale di Tango Argentino, Cavallino – Treporti (Venezia). Maggio, Giugno 2009
2009-oggi: Maestra di Tango Argentino a Silea, Treviso.
2009 – oggi: Invitata in varie
cità di Italia e Francia per Stage, conferenze e presentazione dei suoi libri.
2013: Esibizioni con il maestro Jorge Firpo.
2013: Invitata al Programa
UNO MATTINA CAFFÈ, di RAI 1 e all' Ambasciatta Argentina
a Roma. Novembre.
Pubblicazioni:
1996: “A praise to the Milonga”, versione inglese di "Elogio de la milonga", in El Firulete, Volume 3. Issue 4, “The Argentine Tango Newsletter”, California (US).
1996: “Las mujeres en el tango”. In El Tangauta, Anno 1, Número 6. Buenos Aires.
1996: "Is Tango macho?" (traduzione inglese di: "El lugar de las mujeres en el tango"), in Journal of the Bay Area Argentina Tango Association, B.A. GOTAN, Estate 1996, Volume 1, Numero 3.
1996: Contributi alla rivista di tango "Voz del Tango", anno uno, Volume Sei, pubblicata da M. Bodine, a Los Angeles, California, in inglese. Articoli: “Why Dancing Tango is good for you!
1997: "La Tangomanía en 1913 y en 1997, París y Buenos Aires", in El Tangauta, Anno 2, Numero 33, Buenos Aires.
1998: "Transformaciones en los modos de bailar" nella guida quindicinale di musica popolare porteña: "B.A. TANGO, Buenos Aires tango", pubblicazione periodica di Tango a Buenos Aires, anno IV, Numero 71, seconda quindicina di marzo 1998. Editore responsabile: Tito Palumbo.
1998: "El papel de la mujer en el tango", nella rivista TANGONEON, Aprile 1998. Anno III/Numero 11 a Madrid. Pubblicazione dell’Associazione "Amigos del Tango" di Madrid.
1998: Pubblicazione dell’articolo "Ist Tango ein Macho-Tanz?", (versione in tedesco di "El lugar de la mujer en el tango"), in TANGO INFO, Nr. 14, Undorf, Germania. 1998: "Is Tango Macho?" (vertaling nederlandse) (versione olandese) in La Cadena, Nr. 44. Direttore Jan Dirk van Abshoven, Utrecht, Olanda.
1998-oggi: Realizzazione e progettazione del sito web: www.buenosairestango.com, spazio culturale per la conservazione, diffusione e consolidamento del tango. Detto sito è stato riconosciuto come uno dei dieci migliori siti in lingua castigliana tanto per contenuto quanto per design.
2000: Pubblicazione di due articoli;“Il ruolo della donna nel tango" e "Elogio alla milonga" in "Il Tango. Sentimento e Filosofia di Vita" di Elisabetta Muraca, Milano, Italia, 2000.
2005: Pubblicazione di due articoli: “Tango, un dialogo fra due sensibilitá" e “L´Uomo conduce ma la donna non é una marionetta” in Tangologia di Giorgio Lala, in edizioni Sigillo, Lecce, Italia.
2007: Pubblicazzione di due articoli: ““Tango, un dialogo fra due sensibilitá" e “La miglior ballerina di tutti i tempi”, en Tangologia III di Giorgio Lala, in edizioni Sigillo, Lecce, Italia.
2011: Libro “TANGO. Arte y Misterio de un baile”. Ed. Corregidor. Buenos Aires. (in Spagnolo).
Presentazioni del libro “Tango. Arte y misterio de un baile”:
- 29 agosto 2011: Academia Nacional del Tango, Buenos Aires.
- 10 settembre 2011: Biblioteca Popular R. Obligado, San Pedro, Buenos Aires.
2011: Libro “Tips & Secrets For Dancing Tango. Lead & Follow” (In Inglese) (E-book. Kindle-Amazon/2011)
2012: Libro “El baile del Tango y sus secretos” (In Spagnolo)- (E-Book. Kindle-Amazon/2012)
2013: Libro “Tango. I segreti di un ballo” (In Italiano) – Gremese Editore.
2013: Libro “Tango. Les secrets d’une danse” (En Francais) – Gremese Editore
2013: Presentazione nella Ambasciata Argentina in Italia del libro “Tango. I
segreti di un ballo”.
2013: Invitata al Programa UNO MATTINA CAFFÈ, di RAI 1 il 18 novembre. Intervista
RAI 1: http://www.youtube.com/watch?v=ZcwQgIP--Z8&feature=c4-overview&list=UUKQ-xo1IBk_KygzHcc1mqWQ
email: batangoinfo@gmail.com
They said about Lidia Ferrari's Tango classes -
Hanno detto sulle lezioni di Tango di Lidia Ferrari:
Comentarios sobre nuestras clases de los alumnos:
»Jane Yardley, London, England - 2004
Tango lessons with Lidia Ferrari were a truly delightful experience. Lidia has every quality that defines a good and effective teacher: knowledge, patience, clarity, skill and passionate enthusiasm. She is also a delightful individual in her own right. I recommend her studio to dancers at all stages, from absolute beginner to experienced dancers who want to polish their tango skills."
»Betty Yardley, Norfolk, England 2004
"I had a good grounding in ballroom dancing but had never danced tango. With Lidia's excellent teaching technique I was able to adapt quickly and master the basics with no stress - and a lot of fun."
»Bill & Bonnie Burns - Fresno, California USA - (september 2005)
During a recent visit to Buenos Aires, my wife and I too instruction from Lidia and were exceptionally pleased with the results. We helped us to resolve an on-going problem and then ensured that the correction became instinctive. We enjoy her practical approach and highly recommend her instruction to others!
»Derrick del Pilar, (Student of Arizona University). Tucson, Arizona, USA - 2006
In the group classes that I took with Lidia Ferrari, she was always very attentive to the needs of students, giving each of us different tips based on what we needed to improve. She made sure that everyone worked on the fundamentals of good tango--balance, posture, walk, and musicality--while also enjoying the dance. During private lessons, she gave carefully considered individual instruction that helped me improve my ability to improvise, connect with my dance partners, and express the music in creative ways. Lidia is an excellent teacher of social tango as it is danced in Buenos Aires.
» Derrick del Pilar: Nas aulas grupais que eu tinha com Lidia Ferrari, e la sempre dava muita atenção às necesidades dos alunos, e dava para cada um da gente conselhos diferentes, baseados nas coisa que tinhamos que melhorar. Asegurava que todos trabalhassemos o fundamental de um bom tango--balanço, postura, caminhata, e musicalidade--enquanto curtiamos da dança.Durante as aulas particulares, me dava instrução individual com muito esmero. Me ajudava muito em melhorar minhas habilidades de improvisação, conexão com a mulher no abraço, e expressão da música. Lidia é uma professora ótimo para aprender o tango social de Buenos Aires.
» Sonia Alvarado, Los Angeles, California - (26-12-2006)
I recently went to Buenos Aires on vacation and to learn tango. I researched dance instructors online prior to getting there and sent out a dozen e-mails inquiring about prices and availability. I picked Lidia because I liked her intuitiveness in her reply to my e-mail and her price was extremely reasonable. My two travel companions and I were very happy with my choice. She really took the time to teach us the proper form and balance which is a great foundation to start with (there are lots of people on the dance floor looking sloppy). She catered the classes to meet our needs and ability. She was also flexible with the schedule. We took classes every day and really enjoyed the experience. It was definitely one of the big highlights of the trip. By the end of our 10-day stay, we were feeling pretty good about our dancing. Not only is Lidia a good teacher, but she is a delightful person who we really enjoyed meeting and spending time with. Her assistants are also great and she made sure we always had someone to dance with in class. I highly recommend her.
» Kathleen Larkey - Vancouver, Canada - 2007
"Although just a beginner at learning tango, my private lessons with Lidia Ferrari helped me to really improve after only one week. She has a friendly personality and was very patient and encouraging.
I am looking forward to returning to Buenos Aires and more lessons with Lidia!"
» LK Barr - President, Barr Construction Inc. - Twain Harte, CA, Haapiti Moorea, Polynesie Francaise. 5/2007
"Lidia did an excellent job of giving me private tango lessons and helped me get the basics down quickly.
She understand the psychology of this splendid dance.
Her assistants were very good as well, in particular Lucia who seemed to dance like an angle.
I would recommend Buenos Aires Tango for quality tango lessons."
» Heather Blue - Texas, United States - 5/2007:
"While in Buenos Aires for a business trip, my husband and I took a lesson with Lidia and were exceptionally pleased with the results. We are experienced in West Coast Swing dancing, but had never danced tango before. Lidia's instruction was clear, concise, and easily understood. Her passion and extensive knowledge of the dance was evident, and her personality and patience made for an informative, fun,
and well rounded experience. I would not hesitate to recommend Lidia to other individuals seeking instruction for tango".
Comentarios sobre nuestras clases de los alumnos:
»Jane Yardley, London, England - 2004
Tango lessons with Lidia Ferrari were a truly delightful experience. Lidia has every quality that defines a good and effective teacher: knowledge, patience, clarity, skill and passionate enthusiasm. She is also a delightful individual in her own right. I recommend her studio to dancers at all stages, from absolute beginner to experienced dancers who want to polish their tango skills."
»Betty Yardley, Norfolk, England 2004
"I had a good grounding in ballroom dancing but had never danced tango. With Lidia's excellent teaching technique I was able to adapt quickly and master the basics with no stress - and a lot of fun."
»Bill & Bonnie Burns - Fresno, California USA - (september 2005)
During a recent visit to Buenos Aires, my wife and I too instruction from Lidia and were exceptionally pleased with the results. We helped us to resolve an on-going problem and then ensured that the correction became instinctive. We enjoy her practical approach and highly recommend her instruction to others!
»Derrick del Pilar, (Student of Arizona University). Tucson, Arizona, USA - 2006
In the group classes that I took with Lidia Ferrari, she was always very attentive to the needs of students, giving each of us different tips based on what we needed to improve. She made sure that everyone worked on the fundamentals of good tango--balance, posture, walk, and musicality--while also enjoying the dance. During private lessons, she gave carefully considered individual instruction that helped me improve my ability to improvise, connect with my dance partners, and express the music in creative ways. Lidia is an excellent teacher of social tango as it is danced in Buenos Aires.
» Derrick del Pilar: Nas aulas grupais que eu tinha com Lidia Ferrari, e la sempre dava muita atenção às necesidades dos alunos, e dava para cada um da gente conselhos diferentes, baseados nas coisa que tinhamos que melhorar. Asegurava que todos trabalhassemos o fundamental de um bom tango--balanço, postura, caminhata, e musicalidade--enquanto curtiamos da dança.Durante as aulas particulares, me dava instrução individual com muito esmero. Me ajudava muito em melhorar minhas habilidades de improvisação, conexão com a mulher no abraço, e expressão da música. Lidia é uma professora ótimo para aprender o tango social de Buenos Aires.
» Sonia Alvarado, Los Angeles, California - (26-12-2006)
I recently went to Buenos Aires on vacation and to learn tango. I researched dance instructors online prior to getting there and sent out a dozen e-mails inquiring about prices and availability. I picked Lidia because I liked her intuitiveness in her reply to my e-mail and her price was extremely reasonable. My two travel companions and I were very happy with my choice. She really took the time to teach us the proper form and balance which is a great foundation to start with (there are lots of people on the dance floor looking sloppy). She catered the classes to meet our needs and ability. She was also flexible with the schedule. We took classes every day and really enjoyed the experience. It was definitely one of the big highlights of the trip. By the end of our 10-day stay, we were feeling pretty good about our dancing. Not only is Lidia a good teacher, but she is a delightful person who we really enjoyed meeting and spending time with. Her assistants are also great and she made sure we always had someone to dance with in class. I highly recommend her.
» Kathleen Larkey - Vancouver, Canada - 2007
"Although just a beginner at learning tango, my private lessons with Lidia Ferrari helped me to really improve after only one week. She has a friendly personality and was very patient and encouraging.
I am looking forward to returning to Buenos Aires and more lessons with Lidia!"
» LK Barr - President, Barr Construction Inc. - Twain Harte, CA, Haapiti Moorea, Polynesie Francaise. 5/2007
"Lidia did an excellent job of giving me private tango lessons and helped me get the basics down quickly.
She understand the psychology of this splendid dance.
Her assistants were very good as well, in particular Lucia who seemed to dance like an angle.
I would recommend Buenos Aires Tango for quality tango lessons."
» Heather Blue - Texas, United States - 5/2007:
"While in Buenos Aires for a business trip, my husband and I took a lesson with Lidia and were exceptionally pleased with the results. We are experienced in West Coast Swing dancing, but had never danced tango before. Lidia's instruction was clear, concise, and easily understood. Her passion and extensive knowledge of the dance was evident, and her personality and patience made for an informative, fun,
and well rounded experience. I would not hesitate to recommend Lidia to other individuals seeking instruction for tango".
| » Jeanne-Marie Osterman, New York City (2008) I feel so lucky to have found Lidia as a tango teacher while visiting Buenos Aires. She has such a clear way of explaining and showing what is truly important. No matter what your level, you can benefit from her precise technique. To this day, whenever I dance, before I approach my partner I remember the two little secrets she gave me. Everything else just flows from that. | |
» Divya from Bombay, India. (2008) Lidia: I was really lucky to find you on the net before I came to Buenos Aires. You answered all my queries in detail. You are a very good and sincere teacher and human being. I progressed really fast in my tango because you stressed so much on the fundamentals of posture, axis and distance. And of course practice. Also you took trouble to arrange a partner to dance with me in your class! I hope to return soon and learn more with you. Your classes were fun as well. |
» Michele Carron - Lyon, France - Juin 2011 (in Treviso, Italia)
Mon apprentissage du tango chez Lidia Ferrari:
Je suis française et enseignante en allemand . L’an dernier je suis venue à Treviso (Italie) pour suivre des cours de tango individuels avec Lidia et avoir des conseils pour remédier à mes difficultés dans la danse. Je dansais alors le tango depuis 2 ans .J’avais 3 objectifs :
- Je voulais prendre conscience de mon axe et de l’axe interne à la danse.
- Je désirais corriger ma posture et gagner en équilibre pour être bien dans l’abrazo.
- Je voulais mieux comprendre et être plus réceptive aux indications du partenaire.
Tout de suite apparurent d’autres difficultés liées à mon corps, à mes représentations et à mon mode de vie : Lidia prit donc tout ceci en compte pour me conduire petit à petit à une autonomie personnelle dont j’avais besoin. Voici quelques exemples :
La première chose que m’enseigna Lidia est la façon de marcher en avant et en arrière , de poser le pied sans jamais « tomber » et d’appuyer fort dans le sol : ceci me donna plus de confiance et j’ai pu acquérir plus d’équilibre.
La rigidité qui était présente dans mon corps était une difficulté récurrente ainsi que ma réticence pour aller dans le pas. Lidia, par sa mise en confiance, me permit de lâcher prise.
En ce qui concerne la posture elle m’a montré comment me placer devant mon partenaire
en respectant l’axe autour duquel nous réalisons les figures ,comment ouvrir mes épaules , comment améliorer le port de la tête : ceci m’aida à être plus présente dans la danse. J’ai également appris à voir et à corriger ma position par rapport à mon partenaire pendant la danse , ceci était important pour acquérir plus d’autonomie et de confort pendant la danse .
Bien sûr j’ai fait aussi régulièrement des exercices pour réaliser un joli boléo, de jolis 8 etc..
Mais le plus important c’est que j’ai pris conscience de la manière d’être dans la danse afin que mon partenaire puisse réaliser son projet .
Lidia a une manière d’enseigner qui me plait beaucoup, car elle est rigoureuse et exigente, mais aussi capable de beaucoup de patience et de mettre son élève en confiance. Elle a des objectifs simples mais déterminés.
J’ai un excellent souvenir des cours avec Lidia, de mon séjour chez elle et de sa manière d’être: simple, humaine et déterminée. A mon retour en France on a pu constater un changement dans ma façon de danser : une meilleure allure et plus d’énergie dans les pas.
» Michael Young, Florida (2013) During August 2013 I attended classes with Lidia at her Studio in Buenos Aires. We met twice a day for 4 weeks and concentrated on Tango Salon.
First Lidia corrected problems I had encountered from earlier teachers, We worked on posture, she then taught me to lead while polishing up walking and basic figures.
Lidia introduced me to Lucila who danced with me for practice, Lucila and her husband Marcello host their own Milonga on Sunday evenings.
My experience with Lidia was first class, she is insists on doing everything perfectly and pushed me hard to reach a good standard.
I was very pleased when I attended a live music Milonga with Lidia and she gave me an excellent report.
Following my visit to Lidia, I feel much more confident in my Tango dancing.
.........................................» Michael Young, Florida (2013) During August 2013 I attended classes with Lidia at her Studio in Buenos Aires. We met twice a day for 4 weeks and concentrated on Tango Salon.
First Lidia corrected problems I had encountered from earlier teachers, We worked on posture, she then taught me to lead while polishing up walking and basic figures.
Lidia introduced me to Lucila who danced with me for practice, Lucila and her husband Marcello host their own Milonga on Sunday evenings.
My experience with Lidia was first class, she is insists on doing everything perfectly and pushed me hard to reach a good standard.
I was very pleased when I attended a live music Milonga with Lidia and she gave me an excellent report.
Following my visit to Lidia, I feel much more confident in my Tango dancing.
» V.B. (Cremona) Luglio 2015
Carissima Lidia,
Dopo il corso
intensivo e le successive pratiche nelle milonghe estive, desidero confermarti
la validità della tua metodica d’insegnamento personalizzato.
www.buenosairestango.comtee
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